Artist Statement

My artistic practice explores the intersection between the algorithmic and the natural, between the digital and the physical, using code not only as a tool for visual generation but as a means to model systems where the process itself is intrinsically tied to the concept of the work. I design internal logics inspired by natural patterns, environmental cycles, and emergent structures, ensuring that the generative system is not merely a mechanical process but an extension of the underlying idea.

The real world is my starting point. My surroundings, nature, and the rhythms that shape our environment—these elements can be translated into data or systems that define the generated image. Sometimes, as in my Inifnite Tide series, the work synchronizes with the real movement of the tides, establishing a direct connection between digital art and the natural world. Other times, as in Forecast (Art Blocks, 2023), a piece inspired by rain and the emotions it evokes, I develop a weather forecast system within the algorithm itself, where variables such as atmospheric pressure and humidity determine how and where the rain falls in each image. For me, integrating the concept into the generative system is essential—the process is not just a mechanism but an integral part of the work’s essence.

In a time when the digital world shapes much of our lives, our interactions, and our perception of reality, my work seeks to reverse this dynamic, allowing the real world to leave its mark on the digital.

My artistic background is rooted in drawing and painting. I come from the world of illustration, where the concept has always been the central pillar of my practice. Although I now work with code, my process remains deeply connected to drawing: every idea begins in my sketchbooks, where I constantly draw and write down ideas that help me develop the concept and find the best way to express it. It is through this process that I define the structures and forms that I later translate into a generative system. Moving to the digital realm has not changed my way of working—it has expanded my tools.

I seek to create digital structures that follow their own rules, establishing a balance between the programmed and the unpredictable, the mechanical and the organic. My works are not merely images generated by code but the result of systems designed to intentionally represent specific concepts, patterns, and ideas, abstractly reflecting fragments of the world we live in.